Album Profile: He Who Rides The Tiger (1980) Bernie Taupin

Leave a comment

October 17, 2015 by tworoomsejbt

Bernie Taupin, He Who Rides The Tiger, UK, Deleted, vinyl LP album (LP ...


Chart Position:

Album:
US Billboard Top 200 Album Chart Peak Position: Did not chart.
UK Album Charts Peak Position: Did not chart.

US & UK Singles:
No singles were released from this album.


About He Who Rides The Tiger:

He Who Rides The Tiger was a 1980 solo album from longtime Elton John collaborator Bernie Taupin. The album was released on CD by American Beat Records on March 10, 2009.

Although he demonstrated a more-than-adequate vocal ability, the album failed to make a dent in the charts. Taupin later suggested in interviews that he didn’t have the creative control he would have liked over the album.

Track Listing On Original 1980 Release:

All songs written by Bernie Taupin (words) and Dennis Tufano (music).

Side One

Monkey On My Back (The Last Run) 4:04
Born On The Fourth Of July 4:47
Venezuela 4:11
Approaching Armageddon 5:36
Lover’s Cross 4:40

Side Two

Blitz Babies 4:31
Valley Nights 4:23
Love (The Barren Desert) 5:32
The Whores Of Paris (6:22)

Recording Personnel and Musicians:

Joey Carbone, Jai Winding, Marty Grebb: Keyboards
David Hungate, Dee Murray, Kenny Passarelli: Bass Guitar, Vocals
Dennis Tufano: Rhythm Guitar, Vocals
Jeff Porcaro, Carlos Vega: drums
Richie Zito: Electric Guitar, Acoustic Guitar
Jay Graydon, Steve Lukather: Guitar
Paul Lani, Paulinho Da Costa: Percussion
Erik Bulling: Charango, Ocarina, Flute, Guitar
Michael Boddecker: Keyboards
David Foster: Keyboards, Synthesizer
Tom Scott: Saxophone, Lyricon, Flute
Elton John: backing vocals on “Love (The Barren Desert)”
Guest Vocals: Alan Gorrie, Bill Champlin, Hamish Stuart, Paulette Brown, Tom Funderburg, Tom Kelly, Vennette Gloud

Produced by Humberto Gatica

Recorded at Sunset Sound Recording Studios, Los Angeles, California.

Source: From Wikipedia, the free encyclopedia


Publicity Photo:

BTHe Who Photo


Official Press Kit From Elecktra/Asylum Records:
(click on the page to read)

Page 1:

BT He Whopg1

Page 2:

BT He Who pg2

Page 3:

BT He Who pg3


Music Videos and TV Performances To Support The Album:

There were no music videos or TV appearances known to support the album.


Album Review (1):

Best known as the lyricist for most of Elton John’s biggest hits, Bernie Taupin recorded his own mini-masterpiece in 1980 with the release of ‘He Who Rides The Tiger’. Guests include Elton himself, David Foster, Tom Scott and Jeff Porcaro, but what is most striking is Bernie’s fantastic voice. It is amazing that this album did not strike gold on the radio when it was released. It has become quite a collector’s item, though, with Japanese pressings of the CD fetching well over $100 on eBay and Amazon.

Source: Amazon.com


Magazine Article:

People (June 23, 1980)
By David Sheff

Elton’s Partner, Bernie Taupin:
Rock’s Bernie Taupin Sings His Own Lyrics Now but He Hasn’t Written Elton a Dear John

“I was at the top of a volcano. I was either going to be the lava that dribbles down the side, or the phoenix arising from the top. I won’t say I came out totally full-feathered, but I fluttered back.” The lead-winged metaphor came not from a geologist contemplating Mount St. Helens but from another kind of rock authority. For 13 years Bernie Taupin had been Elton John’s lyricist and thus one-half of Britain’s most celebrated songwriting team since Lennon & McCartney. But after sharing in the glory with Captain Fantastic (Bernie toured with Elton and was occasionally dragged onstage)—not to mention the profits from an incredible 100 million sales—Taupin went into an emotional tailspin.

“We’d filled the biggest stadiums and sold the most records,” he explains. “Once we started acquiring palatial mansions, the meaning went out of rock ‘n’ roll.” Hits came so easily that he and Elton dashed off one whole album in 10 days and, says Bernie, “There was nothing to do the rest of the year. I was bored and depressed.”

After two straight LPs entered the Billboard charts at No. 1 (a feat unequaled), Taupin began to wonder, “Where do we go from here?” So when their 1977 Blue Moves LP hit the charts “only” at No. 3, “We thought we were finished,” he reports. Bernie was 27. That proved to be his last complete LP with Elton. Meanwhile Taupin’s other partnership, a five-year marriage to Maxine Fiebelman, had also broken up. “I had no straws left to grab onto,” he remembers. “So I turned to the bottle.”
His bender lasted two months before a shaken Taupin “mellowed out and dried out” in Acapulco. He also swore off music: “I figured that rock ‘n’ roll had destroyed me.” Instead, he tried acting, appearing on ABC’s Hardy Boys, of all things.

Then Alice Cooper, who had just gotten over his own drinking problem, convinced Bernie to help write another album—From the Inside—about alcoholism. In the process, Bernie discovered, “I’d always been part of someone else. But there were ideas I wanted to do all by myself.” The result, released in April, is his first record doubling as a performer, He Who Rides the Tiger. “Nobody is more surprised than Elton,” chuckles Bernie. “With him, I was afraid to say, ‘It should sound like this,’ because that was his job. But this time music that had been in me came out.”

It may even turn out that John needs Taupin’s lyrics more than the other way around. While Bernie was working on Tiger, Elton’s career floundered. Hence, a year ago, Elton asked him to write the lyrics to eight new songs, three of which are on his upcoming LP 21 at 33. “I’ll write songs for Elton as long as he breathes and wants me,” pledges Bernie.

Still, the once-inseparable pair is divided by geography and interest. While John lives in England to be near his beloved soccer club, Bernie, an L.A. Dodgers freak, plans to become a U.S. citizen. Then there’s the matter of sexual preference. The two of them had once been rumored to be an item, a notion that Bernie now says “amuses” him. “I’ve loved women and I always will,” he declares. “We’re so opposite in that respect, it’s funny.” For the past two years he has lived with model Toni Russo. He’s also still friends with his ex-wife, though he reports, “She’s very happy with my bassist.”

Taupin grew up in England’s potato-farming district of Lincolnshire, where his father was a cattle stockman and his mother raised three kids. Thanks to a school system he sardonically calls “a garbage disposal,” Taupin ended up working in a printing plant “right out of David Copperfield.” Then he switched to a farm, “carting huge mountains of dead chickens to furnaces, and shoveling them in. It was like Dante’s Inferno.”
But when he had to work on Christmas Day, he told his boss to “stuff it.” A London newspaper ad for a songwriter caught Bernie’s eye and, though only 16, “I thought I could fake it, and I didn’t want to go back to the farm and have 12 kids.” He wound up meeting Elton, three years his senior, and together they took a basement apartment in “the Watts of London.” “We were really scraping,” Bernie recalls, until Elton decided to sing. Their first LP produced the hit Lady Samantha, and their second launched Border Song and Your Song.

Over the next decade Taupin and John traveled their Yellow Brick Road, trashing hotel rooms (Bernie once fired a .45 magnum at John Wayne on a TV set), dumping Ajax into a friend’s meal and once throwing a dog out a window. “If it has anything to do with rock ‘n’ roll,” Bernie says brazenly, “I’ve done it.” Cocaine? “There’s no way I’m going to put it down; it’s part of the lifestyle.” Now, though, Taupin thinks the punks lack imagination. “It takes flair to drive a car into a swimming pool,” he cracks.

Bernie is comparatively housebroken in his eight-room, Spanish-style place in the Hollywood Hills. It boasts six TV sets, “so I don’t miss anything,” and his sybaritic bedroom has twice been the backdrop for Playboy centerfolds.
The walls are decorated with satanic art (“The occult fascinates me”), and a glass case holds Marilyn Monroe’s dressmaking from Some Like It Hot—a gift from Elton.

Taupin restricts his drinking now to Mouton-Cadet wine, but loves rich food. “All the health nuts I know look pale and drawn,” he insists. He lifts weights, but jokes, “The times I was abusing myself, I had more energy.” Bernie and Toni hang out in San Fernando Valley drive-in theaters or dine with chums like Cheryl Ladd, Rod and Alana Stewart and Peter Frampton. He dresses casually, except for a gold hoop in his right ear, which he pierced with an ice pick at 16. “In a group I’m a total ham,” he says. “But I can be very rude to people I don’t like.”

Professionally, Taupin admits, “I’m lazy, but I don’t want people to think I’ve gone under.” So he’s done two screenplays, just co-wrote Cher’s next single, Julie, and is planning his first solo concert tour at age 30. “Once you’ve got rock ‘n’ roll in your blood, you can never get it out,” reckons Taupin. “I do have a slightly insane side, and when I feel that flame going out, I immediately ignite it again. I never want to lose the craziness.”

Source: People


Bernie Taupin Blog:
(August 10, 2009)

REFLECTIONS THROUGH A TIGER’S EYE

Yea, so I guess some indie number did a reissue on my “He Who Rides The Tiger” album. Long ago boy, not really thought about in some time and pretty much wiped it from the mental slate, so calculations and memories of how it sprung to life have left the building.

In cases such as these, re-acquaintance is best and so I’ve taken a listen and hovered around lyrical content and eyeballed artwork. Hmmm! Not sure about the dodgy cover shot. Photo acceptable but the obligatory hot model lurking seductively in the background gives cause to assume this is very eighties. I’m regrettably thinking Robert Palmer and Bryan Ferry here, which I am not and was most certainly never on like footing with musically. No offense to their own images just that, well the playboy lothario deal was never something I cultivated so perpetrating it on my own work was something of a misnomer not to mention false advertising.

The music? Melodically lacking for the most part, which isn’t necessarily a bad thing as the bulky lyrical content might have been ambushed by anything to adventurous. I imagine I was patenting a blue print for my life and times at the time, and while some of the material is a little over wrought and heavy handed not to mention substandard, there is enough good to make me relatively relieved.

Word wise it’s got its moments and if I had to pick a stand out I guess it would have to be “Approaching Armageddon” which by all accounts seems to be in agreement with the consensus. The flush jobs would have to be “Lovers Cross” and “Love The Barren Desert” which I could well do without and if erasure from the cannon were possible they’d be a rub out. As for the rest, yea! I’m happy enough.

I don’t recall much about the recording. I imagine it was enjoyable enough and the players in general were a goodly and talented bunch. Many of them progressed to loftier heights, some not so, but where they have all flown and landed, I hope it has been with a light cargo and a satisfied mind.

Source: Bernie Taupin Blog On ‘He Who Rides The Tiger’

Advertisements

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

Categories

Archives

%d bloggers like this: